Amplifier Worship Review
Band | |
---|---|
Album | ![]() Amplifier Worship |
Type | Album (Studio full-length) |
Released | November 26, 1998 |
Genres | Drone Metal |
Labels | Mangrove |
Length | 1:04:01 |
Ranked | #209 for 1998 , #9,371 all-time |
Album rating : 68.8 / 100
Votes : 4 (2 reviews)
Votes : 4 (2 reviews)
January 25, 2024
Boris, the beloved Drone Metallers from Japan. Or rather, by now they are more of a chameleon act, but it all started here.
Personally, I’ve got a bit of a beef with Boris. Not the band itself, obviously, but the concept. You see, I love Japanese Metal. It’s an indescribable scene with some of the most unique acts in the world, ranging through every genre under the sun. They tend to have a penchant for stick-in-your-head melodies as well as boundless experimentation. Unfortunately, many of these bands never get any recognition outside their home country. Even X Japan, revered as the country’s version of The Beatles in their home, is unknown outside of metal/music nerd circles. For some reason, getting notoriety for a Japanese (Metal) band seems much more difficult than for bands in the West.
And what band struck gold? What band tops charts across websites and is beloved by the music world? Boris. The band who makes a song by playing the same four notes dragged out over 9 minutes. Or not even playing notes at all, and letting the feedback speak for itself.
Don’t get me wrong, Boris are experimental, and unique. They experiment with how boring they can possibly make a song and still get it labeled a masterpiece anyway. They’re also very unique in that they’ll put a directionless Drone Metal song on the same record as a repetitive Stoner Metal song and a *checking RYM genre voting page* Post-Rock song? In all of which almost nothing happens and they are considered loveable quirky hipsters.
If you can’t tell, this review really isn’t about Boris. It’s about my frustration with feeling out of touch. Nothing against the band… but they represent all I do not understand about the music fandom.
Personally, I’ve got a bit of a beef with Boris. Not the band itself, obviously, but the concept. You see, I love Japanese Metal. It’s an indescribable scene with some of the most unique acts in the world, ranging through every genre under the sun. They tend to have a penchant for stick-in-your-head melodies as well as boundless experimentation. Unfortunately, many of these bands never get any recognition outside their home country. Even X Japan, revered as the country’s version of The Beatles in their home, is unknown outside of metal/music nerd circles. For some reason, getting notoriety for a Japanese (Metal) band seems much more difficult than for bands in the West.
And what band struck gold? What band tops charts across websites and is beloved by the music world? Boris. The band who makes a song by playing the same four notes dragged out over 9 minutes. Or not even playing notes at all, and letting the feedback speak for itself.
Don’t get me wrong, Boris are experimental, and unique. They experiment with how boring they can possibly make a song and still get it labeled a masterpiece anyway. They’re also very unique in that they’ll put a directionless Drone Metal song on the same record as a repetitive Stoner Metal song and a *checking RYM genre voting page* Post-Rock song? In all of which almost nothing happens and they are considered loveable quirky hipsters.
If you can’t tell, this review really isn’t about Boris. It’s about my frustration with feeling out of touch. Nothing against the band… but they represent all I do not understand about the music fandom.

Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | Huge | 9:16 | 55 | 1 |
2. | Ganbou-Ki | 15:46 | 50 | 1 |
3. | Hama | 7:32 | 55 | 1 |
4. | Kuruimizu | 14:29 | 77.5 | 2 |
5. | Vomitself | 16:57 | 45 | 1 |
261 reviews
cover art | Artist | Album review | Reviewer | Rating | Date | Likes | |
---|---|---|---|---|---|---|---|
![]() | ![]() | System of a Down Review (1998) | 60 | Jan 26, 2024 | 0 | ||
![]() | ![]() | Twilight in Olympus Review (1998) | 80 | Jan 26, 2024 | 0 | ||
![]() | ![]() | New Dark Age Review (1998) | 80 | Jan 26, 2024 | 0 | ||
![]() | ![]() | Crushed Review (1998) | 70 | Jan 26, 2024 | 0 | ||
![]() | ![]() | Discouraged Ones Review (1998) | 95 | Jan 26, 2024 | 0 | ||
![]() | ![]() | Virtual XI Review (1998) | 75 | Jan 26, 2024 | 1 | ||
![]() | ![]() | Obscura Review (1998) | 40 | Jan 25, 2024 | 1 | ||
![]() | ![]() | Obsolete Review (1998) | 55 | Jan 25, 2024 | 0 | ||
![]() | ![]() | 60 | Jan 25, 2024 | 0 | |||
![]() | ![]() | 70 | Jan 25, 2024 | 0 | |||
![]() | ![]() | 90 | Jan 25, 2024 | 0 | |||
![]() | ![]() | 90 | Jan 25, 2024 | 0 | |||
![]() | ![]() | Odd Fellows Rest Review (1998) | 75 | Jan 25, 2024 | 0 | ||
![]() | ![]() | The Chemical Wedding Review (1998) | 80 | Jan 25, 2024 | 0 | ||
![]() | ![]() | ▶ Amplifier Worship Review (1998) | 40 | Jan 25, 2024 | 0 | ||
![]() | ![]() | 80 | Jan 25, 2024 | 0 | |||
![]() | ![]() | Alternative 4 Review (1998) | 100 | Jan 24, 2024 | 1 | ||
![]() | ![]() | Mantra III Review (1998) | 65 | Jan 21, 2024 | 0 | ||
![]() | ![]() | Hellfire's Dominion Review (1998) | 75 | Jan 21, 2024 | 0 | ||
![]() | ![]() | American Nervoso Review (1998) | 55 | Jan 20, 2024 | 0 |