Rain Without End Review
Band | |
---|---|
Album | ![]() Rain Without End |
Type | Album (Studio full-length) |
Released | 1997 |
Genres | Death Doom Metal |
Labels | Vic Records |
Length | 39:15 |
Ranked | #53 for 1997 , #2,489 all-time |
Album rating : 91 / 100
Votes : 5 (1 review)
Votes : 5 (1 review)
July 27, 2023
This is one of those albums I’d had on my radar for years, but only just gotten around to. As Death Doom, particularly Melodic Death Doom, is my favorite music genre, I had a lot of expectations for this thing.
Well, 30 seconds into track one, my face contorted into a disharmoniously gleeful smile while listening to the aural form of melodic depression, and halfway through track two I prematurely judged this to be a masterpiece, completely meeting all expectations and more. The incredible part is that the album only grew stronger, the main riffs of “Sightless” and “Blue Gallery” in particular absolutely blowing my mind. THIS was the BIRTH of Melodic Death Doom. This was the origin of the brand of music that had come to be my absolute favorite.
Quite immediately, I began thinking “Damn, these guys really listened to Brave Murder Day and just worshipped the hell out of it.” This was less shoegaze-y and more melodic, but the overall style was uncannily similar. I mean hell, the first track was “12 Days of Rain”… you cannot convince me that isn’t a Brave Murder Day reference! Not that it mattered to me. More of something great = a win for me. I later felt stupid, after 17 listens, upon reading that this was composed by the vocalist/drummer and guitarist of Katatonia. And then I was in awe, because the whole thing was done by JUST those two people. Insane how two people crafted an album better than what full bands can do.
Anyway, to talk of the musical merit… some of the best, most melancholic guitar leads ever crafted. Doomy, yet full of energy and power. Ditto to the drumming, simple but perfectly serving the music, generous amount of double bass. Vocals are harrowing and beautiful. Sparse keys/synths round out the atmosphere perfectly. Lyrics are morose, slightly symbolic and poetic. Perfect album, absolutely flawless.
Well, 30 seconds into track one, my face contorted into a disharmoniously gleeful smile while listening to the aural form of melodic depression, and halfway through track two I prematurely judged this to be a masterpiece, completely meeting all expectations and more. The incredible part is that the album only grew stronger, the main riffs of “Sightless” and “Blue Gallery” in particular absolutely blowing my mind. THIS was the BIRTH of Melodic Death Doom. This was the origin of the brand of music that had come to be my absolute favorite.
Quite immediately, I began thinking “Damn, these guys really listened to Brave Murder Day and just worshipped the hell out of it.” This was less shoegaze-y and more melodic, but the overall style was uncannily similar. I mean hell, the first track was “12 Days of Rain”… you cannot convince me that isn’t a Brave Murder Day reference! Not that it mattered to me. More of something great = a win for me. I later felt stupid, after 17 listens, upon reading that this was composed by the vocalist/drummer and guitarist of Katatonia. And then I was in awe, because the whole thing was done by JUST those two people. Insane how two people crafted an album better than what full bands can do.
Anyway, to talk of the musical merit… some of the best, most melancholic guitar leads ever crafted. Doomy, yet full of energy and power. Ditto to the drumming, simple but perfectly serving the music, generous amount of double bass. Vocals are harrowing and beautiful. Sparse keys/synths round out the atmosphere perfectly. Lyrics are morose, slightly symbolic and poetic. Perfect album, absolutely flawless.

Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | 12 Days of Rain | 6:43 | 90 | 2 |
2. | Ephemeral | 6:22 | 90 | 1 |
3. | All Painted Cold | 5:45 | 90 | 1 |
4. | Sightless | 6:28 | 95 | 1 |
5. | Losing Tomorrow | 2:35 | 85 | 1 |
6. | Blue Gallery | 5:43 | 95 | 1 |
7. | Infinite Submission | 5:36 | 95 | 1 |
261 reviews
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![]() | ![]() | Accident of Birth Review (1997) | 75 | Jul 26, 2023 | 0 | ||
![]() | ![]() | Misery Index Review (1997) | 70 | Jul 26, 2023 | 0 | ||
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![]() | ![]() | Paso Inferior Review (1997) | 45 | Jul 24, 2023 | 0 | ||
![]() | ![]() | October Rust Review (1996) | 55 | Feb 13, 2023 | 1 | ||
![]() | ![]() | Ænima Review (1996) | 50 | Feb 13, 2023 | 1 | ||
![]() | ![]() | Theli Review (1996) | 80 | Feb 13, 2023 | 0 | ||
![]() | ![]() | The Dwelling Review (1996) | 80 | Feb 13, 2023 | 0 |

▶ Rain Without End Review (1997)

Jul 27, 2023 Likes : 1
This is one of those albums I’d had on my radar for years, but only just gotten around to. As Death Doom, particularly Melodic Death Doom, is my favorite music genre, I had a lot of expectations for this thing.
Well, 30 seconds into track one, my face contorted into a disharmoniously gleeful smile while listening to the aural form of melodic depression, and halfway through...