New Dark Age Review
Band | |
---|---|
Album | New Dark Age |
Type | Album (Studio full-length) |
Released | 1998 |
Genres | Doom Metal |
Labels | Misanthropy Records |
Length | 1:06:07 |
Ranked | #169 for 1998 , #7,931 all-time |
Album rating : 78 / 100
Votes : 5 (2 reviews)
Votes : 5 (2 reviews)
January 26, 2024
Solstice were one of the earliest bands in the Epic Doom realm, starting in 1990, but they released albums sparingly – 1998’s New Dark Age is only their sophomore release.
Their signature Epic Doom sound remains here, but overall it has more energy and Heavy Metal influence. The guitar leads are quite energetic, playing well over simple sustained chords. The drumming is certainly a high point, being varied, interesting, and full of fills, something uncommon in Doom. Good amount of double bass work too.
Vocals and lyrics are a high point if you like poetic prose; Ingram delivers middle age lamentations and epic tales with powerful conviction. Occasionally, vocal harmonies are used both to create uplifting melody, as well as disharmonious, ominous parts -both used to great effect.
Personally, I really could have done without the Folk music though. I get that it is supposed to compliment the medieval, mythical aesthetic going on here, and I respect that. It just doesn’t work for me; I think it would have needed to be more melancholic, or perhaps add some chamber instruments to really make it work. As it is, just breaks the flow of the album and makes it much less listenable as a whole.
The album ends on two high notes; penultimate track “Cromlech” and closer “New Dark Age II” show the band leaning all the way into opposite ends of their style. Cromlech is the most energetic track, fully Heavy Metal and continuously driver with pounding rhythm and melodic guitar. Vocals are triumphant and powerful. The closer, on the other hand, is the band’s slowest, doomiest dirge to date, forgoing all Heavy Metal influence for true Doom despair, and featuring some super memorable lead guitar lines as well.
Their signature Epic Doom sound remains here, but overall it has more energy and Heavy Metal influence. The guitar leads are quite energetic, playing well over simple sustained chords. The drumming is certainly a high point, being varied, interesting, and full of fills, something uncommon in Doom. Good amount of double bass work too.
Vocals and lyrics are a high point if you like poetic prose; Ingram delivers middle age lamentations and epic tales with powerful conviction. Occasionally, vocal harmonies are used both to create uplifting melody, as well as disharmonious, ominous parts -both used to great effect.
Personally, I really could have done without the Folk music though. I get that it is supposed to compliment the medieval, mythical aesthetic going on here, and I respect that. It just doesn’t work for me; I think it would have needed to be more melancholic, or perhaps add some chamber instruments to really make it work. As it is, just breaks the flow of the album and makes it much less listenable as a whole.
The album ends on two high notes; penultimate track “Cromlech” and closer “New Dark Age II” show the band leaning all the way into opposite ends of their style. Cromlech is the most energetic track, fully Heavy Metal and continuously driver with pounding rhythm and melodic guitar. Vocals are triumphant and powerful. The closer, on the other hand, is the band’s slowest, doomiest dirge to date, forgoing all Heavy Metal influence for true Doom despair, and featuring some super memorable lead guitar lines as well.
Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | New Dark Age / The Sleeping Tyrant | 10:46 | 85 | 2 |
2. | Cimmerian Codex | 9:10 | 82.5 | 2 |
3. | Alchemiculte | 2:58 | 80 | 2 |
4. | Hammer of Damnation | 8:19 | 87.5 | 2 |
5. | The Anguine Rose | 1:35 | 77.5 | 2 |
6. | Blackthorne | 5:22 | 77.5 | 2 |
7. | The Keep | 2:00 | 77.5 | 2 |
8. | Cromlech | 10:28 | 82.5 | 2 |
9. | New Dark Age II / Legion XIII | 15:26 | 85 | 2 |
Line-up (members)
- Richard M. Walker : Guitars
- Lee 'Chaz' Netherwood : Bass
- Rick Budby : Drums
- Hamish Glencross : Guitars
- Morris Ingram : Vocals
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