Virtual XI Review
Band | |
---|---|
Album | Virtual XI |
Type | Album (Studio full-length) |
Released | March 23, 1998 |
Genres | Heavy Metal |
Labels | EMI Records |
Length | 53:18 |
Ranked | #151 for 1998 , #6,851 all-time |
Album rating : 74.9 / 100
Votes : 25 (3 reviews)
Votes : 25 (3 reviews)
January 26, 2024
Under 3-minute tracks have been completely absent from Iron Maiden’s discography since the sophomore Killers, and never appeared again henceforth, but this album opens with one in “Futureal” and makes me think the band should have done a lot more like this. The song is full of energy, great guitarwork, and every second is filled with that classic Maiden sound, albeit on a bit of a speed rush. The following song, at almost 10 minutes, is the polar opposite; there aren’t enough good ideas there to fill 3 minutes, nevermind 10. The lack of speed and repetitive vocal lines only make this more noticeable. “Don’t you think I could save you” repeated about 96 times in a row really grates on you.
Virtual XI is a very interesting Iron Maiden album, in that it does some things perfectly and in other areas it falls completely flat. The album brought back keyboards and Iron Maiden’s signature epic sound, and by all means, sounds closer to their peak 80’s material than just about anything they’d done since. The problem is, there is something wrong with most of these compositions. Take a one-minute snapshot of any song here, and it sounds like classic Maiden, like it could be dropped into any of their 80’s material and fit right at home. But the songs as a whole, often suffer from being bloated, repetitive, or simply not going anywhere over their long runtime. Everything sounds a bit stale.
Now of course, some songs avoid this. Aforementioned opener is a fantastic track, and “Don’t Look to the Eyes of a Stranger” is an example of the band killing the more progressive, lengthy song format. The return of keys really adds a nice layer whenever they show up. The drumming is also pretty good across this album, but especially in the more energetic tracks.
Lastly, we’ve got to talk about the vocals. Blaze Bayley replaced Bruce on the prior album, and since that album was in quite a different style, the new vocals didn’t really stand out since everything else sounded a bit different too. Here, the songs all go back to the band’s older style… but missing Bruce. Blaze is a fine singer, but his range is far, far more limited than Bruce’s. These songs needed Bruce’s higher, more powerful range to achieve true hooks for the choruses and verses. Blaze unfortunately is passable and nothing more, with very few vocal parts here delivering anything too memorable or catchy.
With all of that being said, I find this album profoundly underrated. It has issues, sure, but it still sounds a lot like the band’s peak material, so if you love that, I really can’t grasp at how you couldn’t at least like this. I feel part of it is just the unfair comparisons. It’s basically just sub-par classic Iron Maiden, but even that should be enough to warrant pretty high marks from most people considering the quality of the band. Go into it with an open mind and I think you will be rewarded.
Virtual XI is a very interesting Iron Maiden album, in that it does some things perfectly and in other areas it falls completely flat. The album brought back keyboards and Iron Maiden’s signature epic sound, and by all means, sounds closer to their peak 80’s material than just about anything they’d done since. The problem is, there is something wrong with most of these compositions. Take a one-minute snapshot of any song here, and it sounds like classic Maiden, like it could be dropped into any of their 80’s material and fit right at home. But the songs as a whole, often suffer from being bloated, repetitive, or simply not going anywhere over their long runtime. Everything sounds a bit stale.
Now of course, some songs avoid this. Aforementioned opener is a fantastic track, and “Don’t Look to the Eyes of a Stranger” is an example of the band killing the more progressive, lengthy song format. The return of keys really adds a nice layer whenever they show up. The drumming is also pretty good across this album, but especially in the more energetic tracks.
Lastly, we’ve got to talk about the vocals. Blaze Bayley replaced Bruce on the prior album, and since that album was in quite a different style, the new vocals didn’t really stand out since everything else sounded a bit different too. Here, the songs all go back to the band’s older style… but missing Bruce. Blaze is a fine singer, but his range is far, far more limited than Bruce’s. These songs needed Bruce’s higher, more powerful range to achieve true hooks for the choruses and verses. Blaze unfortunately is passable and nothing more, with very few vocal parts here delivering anything too memorable or catchy.
With all of that being said, I find this album profoundly underrated. It has issues, sure, but it still sounds a lot like the band’s peak material, so if you love that, I really can’t grasp at how you couldn’t at least like this. I feel part of it is just the unfair comparisons. It’s basically just sub-par classic Iron Maiden, but even that should be enough to warrant pretty high marks from most people considering the quality of the band. Go into it with an open mind and I think you will be rewarded.
1 like
Track listing (Songs)
title | rating | votes | video | ||
---|---|---|---|---|---|
1. | Futureal | 2:55 | 82.9 | 19 | Music Video |
2. | The Angel and the Gambler | 9:53 | 72.3 | 17 | Music Video |
3. | Lightning Strikes Twice | 4:50 | 78.2 | 16 | |
4. | The Clansman | 9:00 | 87.6 | 19 | |
5. | When Two Worlds Collide | 6:17 | 81.1 | 16 | |
6. | The Educated Fool | 6:45 | 75.7 | 16 | |
7. | Don't Look to the Eyes of a Stranger | 8:04 | 74 | 17 | |
8. | Como Estais Amigos | 5:30 | 77.5 | 16 |
Line-up (members)
- Blaze Bayley : Vocals
- Dave Murray : Guitars
- Janick Gers : Guitars
- Steve Harris : Bass, Keyboards (tracks 2, 4, 7)
- Nicko McBrain : Drums
10,431 reviews
cover art | Artist | Album review | Reviewer | Rating | Date | Likes | |
---|---|---|---|---|---|---|---|
Crushed Review (1998) | 70 | Jan 26, 2024 | 0 | ||||
Discouraged Ones Review (1998) | 95 | Jan 26, 2024 | 0 | ||||
▶ Virtual XI Review (1998) | 75 | Jan 26, 2024 | 1 | ||||
95 | Jan 26, 2024 | 0 | |||||
Obscura Review (1998) | 40 | Jan 25, 2024 | 1 | ||||
Obsolete Review (1998) | 55 | Jan 25, 2024 | 0 | ||||
60 | Jan 25, 2024 | 0 | |||||
70 | Jan 25, 2024 | 0 | |||||
90 | Jan 25, 2024 | 0 | |||||
90 | Jan 25, 2024 | 0 | |||||
Odd Fellows Rest Review (1998) | 75 | Jan 25, 2024 | 0 | ||||
The Chemical Wedding Review (1998) | 80 | Jan 25, 2024 | 0 | ||||
Amplifier Worship Review (1998) | 40 | Jan 25, 2024 | 0 | ||||
80 | Jan 25, 2024 | 0 | |||||
Alternative 4 Review (1998) | 100 | Jan 24, 2024 | 1 | ||||
Master of Puppets Review (1986) | 100 | Jan 23, 2024 | 2 | ||||
Ride the Lightning Review (1984) | 100 | Jan 23, 2024 | 2 | ||||
Tales of Othertime Review (2021) | 95 | Jan 22, 2024 | 3 | ||||
Burzum/Aske Review (1995) [Compilation] | 100 | Jan 22, 2024 | 1 | ||||
Rebirth by Blasphemy Review (2020) | 90 | Jan 22, 2024 | 0 |
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