Transcendence Into the Peripheral Review

Band	Disembowelment
Album	Transcendence Into the Peripheral
Type	Album (Studio full-length)
Released	September 1, 1993
Genres	Death Doom Metal
Labels	Relapse Records
Length	59:40
Ranked	#21 for 1993 , #1,079 all-time

Reviewer :  SilentScream213         Rating :  65 / 100

A very difficult album for me to rate, as Death Doom is perhaps my absolute favorite genre, and Disembowelment’s first and only album is considered by the some the greatest Death Doom album of all time. It was certainly the first album to have hints of Funeral Doom and would end up becoming influential in that scene, and has a ton of straight Death Metal compared to most Death Doom.

The cooler parts of this album are definitely the way it uses clean, reverbed guitar notes to create melodic atmosphere, but this is only done occasionally. The variety in drumming is also very nice, with everything from Funeral Doom plodding to full Death Metal blastbeats. So, wherein lies the problem for me?

Death Doom was still very primitive in the early 90’s, and Transcendence into the Peripheral is no different. It is extremely basic both in style and execution. The riffs, if you can call them that, are very monotone and minimalistic. That’s not uncommon for Doom, but the way minimalistic riffing works is by creating and relying on strong atmosphere to carry the song. Disembowelment completely falls flat in this regard.

Outside of a few moments with cool backing vocals and reverby clean instruments, there is really no mood created at all, and therein the atmosphere is empty and boring. The songs have no emotion, even the lyrics are spiritual and abstract ramblings that carry no weight. They talk about death and darkness sometimes, but it’s in a Death Metal ad lib sense, none of the beautiful, moving poetry that is so prevalent in the Doom genre. The vocals are another totally monotone aspect of the release, really providing nothing but some extra bass as they’re totally indecipherable without a lyric sheet, with very little variety or expression.

Disembowelment is oppressive, if anything. The music is heavy as hell, challenging, and I will say, unique for it’s time. In addition, it was influential. But to call this the greatest Death Doom album to me is incredibly sad, because the genre grew and expanded so much throughout the years. Where this album is lethargic and devoid of emotion, Death Doom later churned out much of the most passionate and moving music I have ever heard. Where this has little melody or atmosphere, later bands made those qualities a staple in extreme Doom music and use them to great success. Disembowelment represents the genre before it found it’s identity, and evidently, before it became something I love.