Elements Review

Band	Atheist
Album	Elements
Type	Album (Studio full-length)
Released	August 30, 1993
Genres	Technical Death Metal, Progressive Metal
Labels	Music for Nations, Metal Blade Records
Length	41:46
Ranked	#77 for 1993 , #3,484 all-time

Reviewer :  SilentScream213         Rating :  75 / 100

Elements is, without a doubt, an incredibly fascinating album. Atheist retain their insanely technical and progressive style of playing, but traverse even further into progressive music, reaching the avant-garde. The music itself isn’t too bizarre, but the amount of styles crammed into any given song quite frankly is. There’s a lot of jerking around here, start-stop techniques and rapid changes not only in tempo, but also style and mood. The instrumental prowess of every member is nothing short of mind-blowing; the songwriting is hard to judge because it seems to purposely subvert expectations and go to odd places, but this doesn’t always work to its benefit.

Another interesting factor is the concept undertaken, focusing on the 4 traditional elements throughout the album. The album seems to loosely document the introduction and evolution of life on Earth via introducing the elements. This adds another layer of entertainment and intrigue for anyone willing to read along, and makes the songs more than just platforms for showcasing instrumental ability.

Unfortunately, the end result is far weaker than the previous two albums for me. First off, there is an abundance of interludes that offer nothing to the album, neither musically nor thematically. Along those lines, there are many passages in certain songs that are similarly shoved in there seemingly just to surprise the listener or do something “different,” but this usually takes away from the songs rather than add anything. Lastly, the music seems, on the whole, unrelated to the themes. When writing a song for each of the 4 elements, you’d think you would at least try to evoke the elements musically, but overtly this is not the case.

The title track is iconically a perfect combination of everything done right on this record, and one of the best songs of the band’s career. A fitting final track for their (at one time) final album.