Wildhoney Review
June 4, 2022
An album that leaves me with very mixed feelings. Halfway innovative masterpiece, halfway boring directionless filler. Wildhoney is considered to be Tiamat’s best release, as well as the one where they found their signature Gothic sound. It’s aesthetically unique and many steps ahead of the game, leaving a lasting impression on the Gothic Metal world. But can it back up that legacy?
Calling Wildhoney “Gothic Metal” is only correct because it’s the closest thing to a unifying sound found here. Less than half the runtime is Metal – the rest is a mix of Ambient, Darkwave, Rock, and Psychedelia. And therein lies the verdict. You see, the Metal here is great – particularly the doomier stuff, like Visionare. This track mixes some crushing Death Doom melancholia with the prettier and more ethereal Gothic Metal pretty much invented on this album. A great track, and the other Metal tracks aren’t far behind.
The weakness lies in everything else. Nothing against those other genres of music, but none of the songs are done particularly well. The album doesn’t sound like a super creative mix of many styles; rather, it sounds like a few great Gothic Metal tracks and then a bunch of filler stuff that was easy to put together to fill out the runtime. None of the ambient or darkwave stuff is memorable, and the last track which is an odd combo of Psychedelic Rock, Ethereal Wave and Folk doesn’t have nearly enough going on to justify an over 8-minute runtime. This album was an important piece of art in Metal history, but offers much less than its legacy might imply.
Calling Wildhoney “Gothic Metal” is only correct because it’s the closest thing to a unifying sound found here. Less than half the runtime is Metal – the rest is a mix of Ambient, Darkwave, Rock, and Psychedelia. And therein lies the verdict. You see, the Metal here is great – particularly the doomier stuff, like Visionare. This track mixes some crushing Death Doom melancholia with the prettier and more ethereal Gothic Metal pretty much invented on this album. A great track, and the other Metal tracks aren’t far behind.
The weakness lies in everything else. Nothing against those other genres of music, but none of the songs are done particularly well. The album doesn’t sound like a super creative mix of many styles; rather, it sounds like a few great Gothic Metal tracks and then a bunch of filler stuff that was easy to put together to fill out the runtime. None of the ambient or darkwave stuff is memorable, and the last track which is an odd combo of Psychedelic Rock, Ethereal Wave and Folk doesn’t have nearly enough going on to justify an over 8-minute runtime. This album was an important piece of art in Metal history, but offers much less than its legacy might imply.
1 like
Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | Wildhoney | 0:53 | 80 | 3 |
2. | Whatever That Hurts | 5:49 | 92.9 | 7 |
3. | The Ar | 5:04 | 92 | 5 |
4. | 25th Floor | 1:50 | 71.7 | 3 |
5. | Gaia | 6:28 | 90 | 5 |
6. | Visionaire | 4:19 | 87 | 5 |
7. | Kaleidoscope | 1:20 | 76.7 | 3 |
8. | Do You Dream of Me? | 5:07 | 80 | 4 |
9. | Planets | 3:13 | 85 | 4 |
10. | A Pocket Size Sun | 8:05 | 83.8 | 4 |
Line-up (members)
- Johan Edlund : Vocals, Guitars
- Johnny Hagel : Bass
- Guest/session musicians:
- Birgit Zacher : Additional Vocals
- Waldemar Sorychta : Keyboards
- Magnus Sahlgren : Guitars
- Lars Skjöld : Drums
10,437 reviews
cover art | Artist | Album review | Reviewer | Rating | Date | Likes | |
---|---|---|---|---|---|---|---|
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▶ Wildhoney Review (1994) | 65 | Jun 4, 2022 | 1 | ||||
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Black Hand Inn Review (1994) | 80 | Jun 4, 2022 | 2 | ||||
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The End Complete Review (1992) | 80 | Jun 4, 2022 | 0 | ||||
Burn My Eyes Review (1994) | 80 | Jun 4, 2022 | 1 | ||||
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Frost Review (1994) | 80 | Jun 4, 2022 | 0 | ||||
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Awake Review (1994) | 85 | Jun 3, 2022 | 2 | ||||
Deliverance Review (1994) | 65 | Jun 3, 2022 | 0 | ||||
Need to Control Review (1994) | 70 | Jun 3, 2022 | 0 | ||||
...For Victory Review (1994) | 90 | Jun 3, 2022 | 2 | ||||
70 | Jun 3, 2022 | 0 | |||||
Troublegum Review (1994) | 80 | Jun 2, 2022 | 1 | ||||
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Wildhoney Review (1994)
Eagles 92/100
Nov 9, 2005 Likes : 2
동양적이며 서정적인 멜로디, 광활하고 환상적인 연계적 구성으로 Progressive Gothic Metal의 지평을 연 스웨덴 출신 밴드 Tiamat 최고의 명반 Wildhoney 이다. Art Rock 매니아들을 포섭하고도 남을 만큼의 깊은 음악성을 지니고 있는 본작은, 신비스럽고 긴장감 넘치는, 예술적인 경지에 가까이 다다른... Read More
▶ Wildhoney Review (1994)
SilentScream213 65/100
Jun 4, 2022 Likes : 1
An album that leaves me with very mixed feelings. Halfway innovative masterpiece, halfway boring directionless filler. Wildhoney is considered to be Tiamat’s best release, as well as the one where they found their signature Gothic sound. It’s aesthetically unique and many steps ahead of the game, leaving a lasting impression on the Gothic Metal world. But can it back up tha...
Stradivarius 85/100
Jul 3, 2013 Likes : 1
일반적인 심블랙과는 다른 궤도에서 세련된 익스트림 메탈을 지향했던 Tiamat은 그 오래된 역사만큼 음악적인 흐름의 변화도 다양하다. 더 이상 초중기작에서 들려주었던 날것의 음침한 느낌보다는 다채로운 요소를 사용해 직접적으로 음울한 분위기를 조성하려는 느낌이 강하며, 읊조리는... Read More