Guitar Dominance Review
Artist | |
---|---|
Album | ![]() Guitar Dominance |
Type | Album (Studio full-length) |
Released | 1993 |
Genres | Heavy Metal, Neoclassical Metal |
Labels | Lion Music |
Length | 52:44 |
Ranked | #176 for 1993 , #9,117 all-time |
Album rating : 74 / 100
Votes : 3 (2 reviews)
Votes : 3 (2 reviews)
February 8, 2022
Ultimately, Neoclassical Metal (specifically instrumental solo shred albums) had completely stagnated by the 90’s. Not that they stopped coming out, but it had long since stopped being interesting, and Metal had already started evolving in so many ways that 40 minutes of guitar soloing began to sound simple and boring no matter how technical and impressive it was.
Unfortunately, Joe Stump’s debut album does not break any of those conventions. It’s a totally fine album with some very impressive playing. However, it carries the same weaknesses most shred albums have; weak songwriting, weak backing band, samey material for it’s runtime. I can remember one great riff, and that was the beginning of the last track “Farewell to Truth.” That aside, it’s just very competent but vanilla guitar playing.
If you really like guitar heroes, this will be another treat for you; otherwise, there’s no reason to hear this album.
Unfortunately, Joe Stump’s debut album does not break any of those conventions. It’s a totally fine album with some very impressive playing. However, it carries the same weaknesses most shred albums have; weak songwriting, weak backing band, samey material for it’s runtime. I can remember one great riff, and that was the beginning of the last track “Farewell to Truth.” That aside, it’s just very competent but vanilla guitar playing.
If you really like guitar heroes, this will be another treat for you; otherwise, there’s no reason to hear this album.

Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | Prince of Darkness | 1:08 | 60 | 1 |
2. | In for the Kill | 6:00 | 75 | 1 |
3. | Paganini's Revenge | 5:22 | 80 | 1 |
4. | Strat Attack | 3:08 | 70 | 1 |
5. | The Ultraviolence | 6:38 | 80 | 1 |
6. | Jetaime | 5:22 | 75 | 1 |
7. | Behind the 8 Ball | 6:15 | 75 | 1 |
8. | Survival of the Fastest | 7:21 | 70 | 1 |
9. | Breakneck Boogie | 5:01 | 75 | 1 |
10. | Farewell to Truth | 6:28 | 80 | 1 |
Line-up (members)
- Joe Stump : Guitars
- John Risti : Bass
- Darrel Maxfield : Drums
10,819 reviews
cover art | Artist | Album review | Reviewer | Rating | Date | Likes | |
---|---|---|---|---|---|---|---|
![]() | ![]() | Helloween Review (2021) | 95 | Mar 23, 2022 | 13 | ||
![]() | ![]() | A Diabolic Thirst Review (2021) | 100 | Mar 22, 2022 | 2 | ||
![]() | ![]() | The Crusade Review (2006) | 70 | Mar 18, 2022 | 0 | ||
![]() | ![]() | Matriphagy Review (2020) | 85 | Mar 18, 2022 | 1 | ||
![]() | ![]() | Close Review (2022) | 90 | Mar 17, 2022 | 3 | ||
![]() | ![]() | The Downward Spiral Review (1994) | 95 | Mar 17, 2022 | 1 | ||
![]() | ![]() | New World Shadows Review (2011) | 90 | Mar 17, 2022 | 3 | ||
![]() | ![]() | Senpai III Review (2021) | 90 | Mar 17, 2022 | 3 | ||
![]() | ![]() | Damnun Review (2022) | 90 | Mar 15, 2022 | 3 | ||
![]() | ![]() | Iridescent Review (2021) | 95 | Mar 15, 2022 | 2 | ||
![]() | ![]() | Christ 0 Review (2006) | 100 | Mar 14, 2022 | 3 | ||
![]() | ![]() | Void Review (2022) | 90 | Mar 12, 2022 | 3 | ||
![]() | ![]() | The Long Road North Review (2022) | 90 | Mar 11, 2022 | 6 | ||
![]() | ![]() | 85 | Mar 9, 2022 | 4 | |||
![]() | ![]() | Chasing a Dream Review (2022) | 75 | Mar 9, 2022 | 2 | ||
![]() | ![]() | Desolate Review (2021) | 90 | Mar 9, 2022 | 2 | ||
![]() | ![]() | Epigone Review (2022) | 90 | Mar 8, 2022 | 2 | ||
![]() | ![]() | 50 | Mar 8, 2022 | 7 | |||
![]() | ![]() | 95 | Feb 26, 2022 | 3 | |||
![]() | ![]() | Filosofem Review (1996) | 60 | Feb 24, 2022 | 9 |

▶ Guitar Dominance Review (1993)

Feb 8, 2022 Likes : 2
Ultimately, Neoclassical Metal (specifically instrumental solo shred albums) had completely stagnated by the 90’s. Not that they stopped coming out, but it had long since stopped being interesting, and Metal had already started evolving in so many ways that 40 minutes of guitar soloing began to sound simple and boring no matter how technical and impressive it was.
Unfortun...