World Downfall Review
Band | |
---|---|
Album | ![]() World Downfall |
Type | Album (Studio full-length) |
Released | November 13, 1989 |
Genres | Deathgrind, Death Metal, Grindcore |
Labels | Earache Records, Relativity Records |
Length | 36:15 |
Ranked | #31 for 1989 , #1,005 all-time |
Album rating : 87.6 / 100
Votes : 29 (3 reviews)
Votes : 29 (3 reviews)
November 1, 2020
World Downfall is by far my favorite Grindcore album of the 80’s. It’s become really clear to me why most Grindcore doesn’t do it for me while Terrorizer kicks ass.
1. I don’t like silly/humorous music, which a fair portion of Grindcore is. This means lyrically and sonically – Terrorizer is full of hardcore riffs and angry, pessimistic messages that mesh well with the chaotic, manic wall of aggression.
2. Unlike most Punk genres, if you want to play Grindcore, you have to know how to play your instruments… Doing everything as fast as physically possible without having some amazing technique and precision just sounds awful. Terrorizer is full of extreme talent and capability. They nail everything they aim for and always sound precise (save the vocalist… more on that later).
3. If you want to play Grindcore, you need decent production. If you’re just going hard on every instrument as aggressively as possible, and you don’t have some sort of production job that can individualize those instruments, it just sounds like noise. World Downfall has some very good production without compromising the grit or making it sound clean. There is no sheen to it; simply a very good job of making sure every awesome riff is still audible over those pounding drums, and the bass gets some great treatment too.
There is one huge weakness here, else it would be a near perfect grind record. The vocalist.
I know what people say, “you don’t listen to extreme music for the vocals! It’s for the riffs!” Never for a second have I felt that way, and never have I understood it. If vocals are present, they matter, and if lyrics are present, they matter. They are pieces of the art that forms the whole.
The vocalist here doesn’t have a bad sound, and the lyrics are fine. The written lyrics are fine. The words that come out of the vocalist’s mouth hit about 50% of what’s written, 40% of the time shout random words or syllables that are not understandable, and 10% of the time completely skips a verse or chorus and says absolutely nothing. There are no full sentences or lines, at best a few of the words are launched out, sometimes not even in order. It’s like the vocalist had never seen the lyrics before, they just gave him a paper while they jammed and he decided to wing it.
Imagine if any other band member did that with their instrument. The album would sound like absolute crap. Why do vocalists get a pass? Not from me. Really drags down an otherwise top-notch grind album.
1. I don’t like silly/humorous music, which a fair portion of Grindcore is. This means lyrically and sonically – Terrorizer is full of hardcore riffs and angry, pessimistic messages that mesh well with the chaotic, manic wall of aggression.
2. Unlike most Punk genres, if you want to play Grindcore, you have to know how to play your instruments… Doing everything as fast as physically possible without having some amazing technique and precision just sounds awful. Terrorizer is full of extreme talent and capability. They nail everything they aim for and always sound precise (save the vocalist… more on that later).
3. If you want to play Grindcore, you need decent production. If you’re just going hard on every instrument as aggressively as possible, and you don’t have some sort of production job that can individualize those instruments, it just sounds like noise. World Downfall has some very good production without compromising the grit or making it sound clean. There is no sheen to it; simply a very good job of making sure every awesome riff is still audible over those pounding drums, and the bass gets some great treatment too.
There is one huge weakness here, else it would be a near perfect grind record. The vocalist.
I know what people say, “you don’t listen to extreme music for the vocals! It’s for the riffs!” Never for a second have I felt that way, and never have I understood it. If vocals are present, they matter, and if lyrics are present, they matter. They are pieces of the art that forms the whole.
The vocalist here doesn’t have a bad sound, and the lyrics are fine. The written lyrics are fine. The words that come out of the vocalist’s mouth hit about 50% of what’s written, 40% of the time shout random words or syllables that are not understandable, and 10% of the time completely skips a verse or chorus and says absolutely nothing. There are no full sentences or lines, at best a few of the words are launched out, sometimes not even in order. It’s like the vocalist had never seen the lyrics before, they just gave him a paper while they jammed and he decided to wing it.
Imagine if any other band member did that with their instrument. The album would sound like absolute crap. Why do vocalists get a pass? Not from me. Really drags down an otherwise top-notch grind album.

Track listing (Songs)
title | rating | votes | video | ||
---|---|---|---|---|---|
1. | After World Obliteration | 3:30 | 93.8 | 4 | Audio |
2. | Storm of Stress | 1:27 | 86.3 | 4 | |
3. | Fear of Napalm | 3:02 | 87 | 5 | Audio |
4. | Human Prey | 2:08 | 88.8 | 4 | |
5. | Corporation Pull-In | 2:21 | 91.3 | 4 | |
6. | Strategic Warheads | 1:38 | 83.3 | 3 | |
7. | Condemned System | 1:23 | 83.3 | 3 | |
8. | Resurrection | 2:58 | 85 | 3 | |
9. | Enslaved by Propaganda | 2:15 | 85 | 3 | |
10. | Need to Live | 1:17 | 81.7 | 3 | |
11. | Ripped to Shreds | 2:52 | 81.7 | 3 | |
12. | Injustice | 1:28 | 87 | 5 | |
13. | Whirlwind Struggle | 2:16 | 81.7 | 3 | |
14. | Infestation | 1:56 | 88.3 | 3 | |
15. | Dead Shall Rise | 3:06 | 91.7 | 3 | |
16. | World Downfall | 2:37 | 90 | 3 |
Line-up (members)
- Oscar Garcia : Vocals
- Jesse Pintado : Guitars
- Pete Sandoval : Drums
- Guest/Session
- David Vincent : Bass
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▶ World Downfall Review (1989)

Nov 1, 2020 Likes : 1
World Downfall is by far my favorite Grindcore album of the 80’s. It’s become really clear to me why most Grindcore doesn’t do it for me while Terrorizer kicks ass.
1. I don’t like silly/humorous music, which a fair portion of Grindcore is. This means lyrically and sonically – Terrorizer is full of hardcore riffs and angry, pessimistic messages that mesh well with ...