Dead As Dreams Review
Band | |
---|---|
Album | Dead As Dreams |
Type | Album (Studio full-length) |
Released | 2000 |
Genres | Black Metal |
Labels | tUMULt |
Length | 1:16:08 |
Ranked | #126 for 2000 , #5,326 all-time |
Album rating : 88.2 / 100
Votes : 5 (1 review)
Votes : 5 (1 review)
January 14, 2025
Probably the most desolate and bleak Black Metal album recorded by the turn of the century. DSBM hadn’t fully come into its own as a genre yet, and so what we had here was a proto example of the genre. Atmospheric Black as well as straight Black Metal rule the barren fields that this album makes home while heavy doses of DSBM and Doom Metal bring the pain and suffering. A generous amount of Prog Metal and some sparce glimpses of Post-Metal and Drone bring together the full scene of dark devastation.
Just 5 tracks, each well over 10 minutes, is an almost unheard-of decision in Black Metal. But by God, what a treat they are. Repetition is heavy in this album, but so is the progression of sections, tempos, and atmospheres into different chapters of each song. I’m not usually a fan of repetition, but here it is done well, giving each song memorable motifs that keep the listener grounded amidst the chaotic assault of crushing density.
The persevering despair of the record keeps it in the darkest depths of the aural spectrum despite the almost grandiose, epic sound that the band achieves. While usually focusing on the standard fare of Metal instrumentation, there are near-symphonic parts and ambient soundscapes that elevate the music into much greater heights. The power and density of these extra elements both add weight to the compositions while also highlighting the lead melodies. They are also infrequent enough that when they do occur, they immediately grab your attention.
Across all 76 minutes of this album, there wasn’t a moment I didn’t revel in. Even the Drone outro to the final track was just so perfectly placed, I never had any desire to shut it off before it ended. Fully a masterpiece.
Just 5 tracks, each well over 10 minutes, is an almost unheard-of decision in Black Metal. But by God, what a treat they are. Repetition is heavy in this album, but so is the progression of sections, tempos, and atmospheres into different chapters of each song. I’m not usually a fan of repetition, but here it is done well, giving each song memorable motifs that keep the listener grounded amidst the chaotic assault of crushing density.
The persevering despair of the record keeps it in the darkest depths of the aural spectrum despite the almost grandiose, epic sound that the band achieves. While usually focusing on the standard fare of Metal instrumentation, there are near-symphonic parts and ambient soundscapes that elevate the music into much greater heights. The power and density of these extra elements both add weight to the compositions while also highlighting the lead melodies. They are also infrequent enough that when they do occur, they immediately grab your attention.
Across all 76 minutes of this album, there wasn’t a moment I didn’t revel in. Even the Drone outro to the final track was just so perfectly placed, I never had any desire to shut it off before it ended. Fully a masterpiece.
Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | Cut their Grain and Place Fire Therein | 10:28 | 85 | 1 |
2. | Dead as Dreams | 20:39 | 90 | 1 |
3. | This Entire Fucking Battlefield | 14:47 | 90 | 1 |
4. | No One Can Be Called as a Man While He'll Die | 13:09 | 85 | 1 |
5. | Desasters In the Sun | 17:06 | 85 | 1 |
Line-up (members)
- John Gossard : Vocals & Guitars
- Joshua M. Smith : Guitars
- Sara Weiner : Bass
- Little Sunshine (Sam) : Drums
- Casey Ward : Keyboards
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