Enemy of the Sun Review
Band | |
---|---|
Album | ![]() Enemy of the Sun |
Type | Album (Studio full-length) |
Released | August 17, 1993 |
Genres | Atmospheric Sludge Metal |
Labels | Alternative Tentacles |
Length | 1:12:24 |
Album rating : 72.5 / 100
Votes : 2 (1 review)
Votes : 2 (1 review)
February 7, 2022
After the success of wildly innovative “Souls at Zero,” Neurosis seemed eager to one-up themselves in regard to making something that sounded different. The result was an album that focused more on being avant-garde and unique than it did on sounding good. Enemy of the Sun did indeed capture an entirely new sound, but it sacrificed a lot of what made their previous album so good.
The album is very heavy with samples, and has an overall tribal feel to it. The percussion is often focusing on tom-heavy fill beats, and the guitars usually create atmospheric walls rather than riffs. If I’m being honest, there’s not much of the album that sticks with me due to the fact that there are no memorable melodies of any sort. The atmosphere isn’t anything impressive either, for how much they focus on it; “Souls at Zero” did a great job of conveying a desperate struggle and cold, hopeless pain. Enemy of the Sun seems more eager to convey, I don’t know, existential ramblings of struggles in third world countries or something. It’s more bizarre than it is evocative.
That’s not to say the album is bad, as moments of grandeur are hiding among the vast boring parts. The first two tracks have some great atmosphere to them, and the guitars and keys use single notes to create excellent pangs of moodiness. Penultimate track “The Time of the Beasts” simply sounds much more akin to material on “Souls at Zero” and is therefore easily the best track, lush with various instrumentation from strings to horns to samples.
The album merely pales in comparison to what came before. Unless, of course, you enjoy tribal Avant-Garde Metal, in which case, you may like this quite a bit. For me, the departure from doomy monoliths is a hard decline.
The album is very heavy with samples, and has an overall tribal feel to it. The percussion is often focusing on tom-heavy fill beats, and the guitars usually create atmospheric walls rather than riffs. If I’m being honest, there’s not much of the album that sticks with me due to the fact that there are no memorable melodies of any sort. The atmosphere isn’t anything impressive either, for how much they focus on it; “Souls at Zero” did a great job of conveying a desperate struggle and cold, hopeless pain. Enemy of the Sun seems more eager to convey, I don’t know, existential ramblings of struggles in third world countries or something. It’s more bizarre than it is evocative.
That’s not to say the album is bad, as moments of grandeur are hiding among the vast boring parts. The first two tracks have some great atmosphere to them, and the guitars and keys use single notes to create excellent pangs of moodiness. Penultimate track “The Time of the Beasts” simply sounds much more akin to material on “Souls at Zero” and is therefore easily the best track, lush with various instrumentation from strings to horns to samples.
The album merely pales in comparison to what came before. Unless, of course, you enjoy tribal Avant-Garde Metal, in which case, you may like this quite a bit. For me, the departure from doomy monoliths is a hard decline.

Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | Lost | 9:41 | - | 0 |
2. | Raze The Stray | 8:41 | - | 0 |
3. | Burning Flesh In Year Of Pig | 1:37 | - | 0 |
4. | Cold Ascending | 4:35 | - | 0 |
5. | Lexicon | 5:41 | - | 0 |
6. | Enemy Of The Sun | 7:33 | - | 0 |
7. | The Time Of The Beasts | 7:59 | - | 0 |
8. | Cleanse | 26:34 | - | 0 |
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