White Pony Review

Band	Deftones
Album	White Pony
Type	Album (Studio full-length)
Released	June 20, 2000
Genres	Alternative Metal
Labels	Maverick
Length	48:47
Ranked	#25 for 2000 , #939 all-time

Reviewer :  SilentScream213         Rating :  70 / 100

White Pony is revered as one of the greatest Alternative Metal albums of all time, and as a big fan of certain strains of the genre, I gave this album a very fair chance. The potential for masterpiece is there, but overall I was left wondering what makes this so great in the eyes of the world.

By rights, the highs are magnificent. It’s got a couple great songs that kept me coming back again and again. But I soon found that most of the album just consisted of anticipation for those few tracks, while the majority didn’t do anything special for me. Why was this?

For me personally, it’s because White Pony just doesn’t go far enough in any of the things it sets out to do. It’s an eclectic album with a good balance of influences, primarily Alt Rock and Alt Metal, but also spreading across Nu Metal, Shoegaze, Post-Hardcore, Dream Pop, and even some artier moments of Downtempo and Glitch. Problem is, it doesn’t exactly excel at any of those things. The heavier, Nu Metal tracks are not heavy enough nor aggressive enough, the darker songs aren’t dark enough, the clean songs aren’t catchy enough, the emotional songs aren’t passionate or evocative enough… you get the idea. If I wanted heavy Nu Metal, I’d rather throw on Slipknot. If I wanted cleaner, more passionate Alt metal, give me modern Katatonia or In flames. If I wanted atmospheric stuff… give me actual Shoegaze or Post-Metal.

The highlights of this album are found in those couple great tracks where everything comes together perfectly. As shameful as it is, I’m unfortunately talking about the same tracks that everybody else likes, the lead singles “Digital Bath” and “Change (In the House of Flies).”

Wow, is “Digital Bath” something special. That was the only song that immediately gripped me the first time I heard it. When Chino goes higher and passionate with his vocals and the gazey chords come in, man, it’s perfect. That moment in the middle of the song where you can actually hear something that sounds like electrical water… godly atmosphere. It’s catchy, it’s passionate, it’s moody, it’s atmospheric, and it’s got a hell of an interesting lyrical concept. AND it manages to capture all of that perfectly with the quirky song title.

“Change” was much more of a grower. Didn’t stand out immediately, but got a lot stronger each time I came back to the album, full of great symbolic lyricism and a dark, ominous mood that works really well with the simpler guitarwork. I will also give a shout out to “Knife Prty” which is just shy of a fantastic song thanks to a bit too much meandering and a slightly lamer concept idea, but the energy and mood of the song is great.

All of these aforementioned songs share something in common; they are cleaner, technically simpler, denser and more atmospheric. They focus on mood, and more evocative vocals. Deftones can do this sort of style pretty damn well. But when they try to do something else, they don’t succeed, and here’s why; the riffs suck. They are incredibly boring, mostly dissonant, not catchy, not creative, not evocative. Ditto for the rhythm section; it’s simple, boring, not energetic enough. Chino’s harsh vocals aren’t very convincing either. For this reason, the band falls flat when they try to go heavier or more energetic. None of the heavier Nu Metal songs left any impression on me. The only other song I can really remember is “Teenager” and that’s because it’s so damn different, being a full on Glitch/Downtempo track. And they do that one decently well too! They just were really not meant for Nu Metal.