City Review
July 28, 2023
The sophomore album by Strapping Young Lad is a much more concise piece of music with a clear direction. There were many aspects I liked about this album:
- The rhythm section is fantastic. Drums are energetic and aggressive just as I prefer.
- Production is pristine. Every instrument is audible and some interesting Industrial sound effects add layers to the compositions.
- Devin’s voice is awesome. His range is incredible, usually hitting somewhere between melodic singing and screaming, but going every which way up and down that spectrum, and doing it all very well.
Unfortunately, this album has a lot of weakness that really stifle the enjoyment for me.
- The riffs are boring. They are mostly rhythmic, with very little lead guitarwork and nothing at all memorable being crafted with the guitars.
- The lyrics are mostly bad, with too much unnecessary vulgarity that just doesn’t work.
- Devin adopts a “tough guy” persona on the album and whether it’s a joke or not doesn’t matter, it’s really annoying and really cringy.
- Devin is known for being a musical chameleon, but this album is (among his work) quite samey front to back, with most songs being Thrashy/Groovy Industrial Metal. That wouldn’t be a problem, but they all suffer from the same exact weaknesses, which makes the samey-ness that much more offensive.
That leaves this album a really mixed bag for me. It’s a good album, but it has way more potential than it ever reaches, and too many weaknesses that hold it back.
- The rhythm section is fantastic. Drums are energetic and aggressive just as I prefer.
- Production is pristine. Every instrument is audible and some interesting Industrial sound effects add layers to the compositions.
- Devin’s voice is awesome. His range is incredible, usually hitting somewhere between melodic singing and screaming, but going every which way up and down that spectrum, and doing it all very well.
Unfortunately, this album has a lot of weakness that really stifle the enjoyment for me.
- The riffs are boring. They are mostly rhythmic, with very little lead guitarwork and nothing at all memorable being crafted with the guitars.
- The lyrics are mostly bad, with too much unnecessary vulgarity that just doesn’t work.
- Devin adopts a “tough guy” persona on the album and whether it’s a joke or not doesn’t matter, it’s really annoying and really cringy.
- Devin is known for being a musical chameleon, but this album is (among his work) quite samey front to back, with most songs being Thrashy/Groovy Industrial Metal. That wouldn’t be a problem, but they all suffer from the same exact weaknesses, which makes the samey-ness that much more offensive.
That leaves this album a really mixed bag for me. It’s a good album, but it has way more potential than it ever reaches, and too many weaknesses that hold it back.
Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | Velvet Kevorkian | 1:17 | 75 | 2 |
2. | All Hail The New Flesh | 5:24 | 87.5 | 2 |
3. | Oh My Fucking God | 3:35 | 85 | 2 |
4. | Detox | 5:37 | 90 | 3 |
5. | Home Nucleonics | 2:31 | 87.5 | 2 |
6. | AAA | 5:22 | 83.3 | 3 |
7. | Underneath The Waves | 3:40 | 87.5 | 2 |
8. | Room 429 (Cop Shoot Cop cover) | 5:21 | 80 | 2 |
9. | Spirituality | 6:35 | 70 | 2 |
Line-up (members)
- Devin Townsend : Guitars, Vocals, Programming
- Jed Simon : Guitars
- Byron Stroud : Bass
- Gene Hoglan : Drums
- Guest/session musicians:
- Tanya Evans : Additional Vocals
- Chris Valagao : Additional Vocals
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