Wish I Could Dream it Again Review
Band | |
---|---|
Album | Wish I Could Dream it Again |
Type | Album (Studio full-length) |
Released | 1994 |
Genres | Gothic Metal, Doom Metal, Death Metal |
Labels | Polyphemus |
Length | 1:04:49 |
Ranked | #134 for 1994 , #7,582 all-time |
Album rating : 81.7 / 100
Votes : 3 (1 review)
Votes : 3 (1 review)
June 4, 2022
A volte-face to anyone who thinks Doom Metal can’t be energetic and exciting, and a great lesson in what makes true Doom a completely different beast from Trad Doom. Wish I Could Dream It Again is one of the earliest true Doom albums, having zero Sabbathian influence, none of the 80’s Doom groove, and a total focus on somber, melancholic atmospheres. And unlike most prior Doom bands, it doesn’t rely on being consistently slow to achieve this. Lethargic, doomy sections still run through the compositions, but a lot of this material is lively, especially the rhythm section. Simple melodies and morose chords permeate the songwriting, but that drumming ensures a complex and ever-changing foundation to the music.
Novembre also have very melancholic lyrical themes, sticking to the introspective and poetic, drawing upon aquatic, summery and warm imagery across the album in another first for Doom Metal. The sentimental mood here was pretty unique at the time, but the general melancholy on display became a staple for the genre. Doom bands had already begun adopting this focus on gloomy atmospheres, which is how true Doom was born in the early 90’s, but Novembre here upped the ante. This was probably the most melancholic metal album at the time of its release.
As debuts can be, it’s a bit rough around the edges in some places; the clean vocals in particular are quite amateur, though they don’t bother me at all because they perfectly encapsulate that morose feeling of Doom. Either way, a landmark release for the genre, and a great learning experience for those who aren’t privy to the great variation that can be found in Doom Metal.
Novembre also have very melancholic lyrical themes, sticking to the introspective and poetic, drawing upon aquatic, summery and warm imagery across the album in another first for Doom Metal. The sentimental mood here was pretty unique at the time, but the general melancholy on display became a staple for the genre. Doom bands had already begun adopting this focus on gloomy atmospheres, which is how true Doom was born in the early 90’s, but Novembre here upped the ante. This was probably the most melancholic metal album at the time of its release.
As debuts can be, it’s a bit rough around the edges in some places; the clean vocals in particular are quite amateur, though they don’t bother me at all because they perfectly encapsulate that morose feeling of Doom. Either way, a landmark release for the genre, and a great learning experience for those who aren’t privy to the great variation that can be found in Doom Metal.
Track listing (Songs)
title | rating | votes | ||
---|---|---|---|---|
1. | The Dream Of The Old Boats | 5:31 | 85 | 1 |
2. | Novembre / Its Blood | 6:44 | 85 | 1 |
3. | Night / At Once | 4:13 | 80 | 1 |
4. | Let Me Hate | 3:05 | 85 | 1 |
5. | Sirens In Filth | 5:49 | 85 | 1 |
6. | Swim Seagull In The Sky | 7:39 | 85 | 1 |
7. | The Music | 3:59 | 90 | 1 |
8. | Nostalgia / Its Gaze | 6:10 | 80 | 1 |
9. | Behind My Window / My Seas Of South | 5:18 | 90 | 1 |
10. | Old Lighthouse Tale | 5:02 | 90 | 1 |
11. | The White Eyed | 5:34 | 90 | 1 |
12. | Neanderthal Sands | 3:43 | 85 | 1 |
13. | Christal | 2:01 | 80 | 1 |
Line-up (members)
- Carmelo Orlando : Vocals & Guitars
- Antonio Poletti : Guitars
- Fabio Vignati : Bass
- Giuseppe Orlando : Drums
- Thomas Negrini : Keyboards
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