Brave New World Review
Band | |
---|---|
Album | Brave New World |
Type | Album (Studio full-length) |
Released | May 30, 2000 |
Genres | Heavy Metal |
Labels | EMI Records |
Length | 1:07:05 |
Ranked | #9 for 2000 , #273 all-time |
Album rating : 90.2 / 100
Votes : 54 (6 reviews)
Votes : 54 (6 reviews)
January 13, 2025
Like so many Metal bands that faced immense success in the 80’s, Iron Maiden fell victim to turmoil, stumbling and inconsistency in the 90’s. Lineup changes mixed with stylistic experimentation and lack of direction lead to one of the most legendary and beloved Metal bands falling to their knees, failing to keep up with trends while also failing to appease their own fanbase. It’s a story shared by many of the best bands from their era.
At the turn of the century, something changed in Metal. It seemed like older bands realized they don’t need to pretend anymore; they don’t need to chase trends or change styles to appease new crowds. They just need to be themselves and do what they do best. And Maiden were one of the very first bands to realize this, wasting no time in getting Bruce back, returning to their classic 80’s style, and dropping one of the very finest Heavy Metal albums in the first year of the new century.
Brave New World is an exceedingly epic affair with 3 tracks well over the 8-minute mark. And yet, it never overstays its welcome, never feels overlong. How do they manage this? Quite plainly, every minute of every song here is full of carefully crated instrumentation, with wonderful guitar lines weaving between rich and interesting rhythm lines, the only breaks in dense instrumentation being when Bruce’s voice is given center stage to belt out fantastic choruses. Most of the songs here have multiple passages, taking elements from their more Progressive era, but the instrumentation itself is not overly complex or technical; rather, the songs are progressive in that they take you on journeys through different scenes and landscapes, again maintaining a constant interest factor despite the long track lengths.
I have to give some credit to the previous effort, Virtual XI. Of course I have already claimed I find it to be quite an underrated piece on its own, but I think this album puts it into even greater context. Virtual XI was the band’s return to their pure Prog-tinged Heavy Metal after the inconsistency of the other 90’s records. For some reason, Iron Maiden seemed like they forgot how to properly write long songs or something on Virtual XI, but it was very clearly the first step in getting back to who they really were. Brave New World here was them re-finding themselves fully, in all their glory. And of course, a part of that success is the return of Bruce, who is just an absolute powerhouse of a vocalist, both in ability and in his skill of crafting fantastic vocal melodies. A magnificent return to form for the band.
At the turn of the century, something changed in Metal. It seemed like older bands realized they don’t need to pretend anymore; they don’t need to chase trends or change styles to appease new crowds. They just need to be themselves and do what they do best. And Maiden were one of the very first bands to realize this, wasting no time in getting Bruce back, returning to their classic 80’s style, and dropping one of the very finest Heavy Metal albums in the first year of the new century.
Brave New World is an exceedingly epic affair with 3 tracks well over the 8-minute mark. And yet, it never overstays its welcome, never feels overlong. How do they manage this? Quite plainly, every minute of every song here is full of carefully crated instrumentation, with wonderful guitar lines weaving between rich and interesting rhythm lines, the only breaks in dense instrumentation being when Bruce’s voice is given center stage to belt out fantastic choruses. Most of the songs here have multiple passages, taking elements from their more Progressive era, but the instrumentation itself is not overly complex or technical; rather, the songs are progressive in that they take you on journeys through different scenes and landscapes, again maintaining a constant interest factor despite the long track lengths.
I have to give some credit to the previous effort, Virtual XI. Of course I have already claimed I find it to be quite an underrated piece on its own, but I think this album puts it into even greater context. Virtual XI was the band’s return to their pure Prog-tinged Heavy Metal after the inconsistency of the other 90’s records. For some reason, Iron Maiden seemed like they forgot how to properly write long songs or something on Virtual XI, but it was very clearly the first step in getting back to who they really were. Brave New World here was them re-finding themselves fully, in all their glory. And of course, a part of that success is the return of Bruce, who is just an absolute powerhouse of a vocalist, both in ability and in his skill of crafting fantastic vocal melodies. A magnificent return to form for the band.
Track listing (Songs)
title | rating | votes | video | ||
---|---|---|---|---|---|
1. | The Wicker Man | 4:35 | 94.2 | 28 | Audio Music Video |
2. | Ghost of the Navigator | 6:50 | 96.2 | 25 | Audio |
3. | Brave New World | 6:19 | 94 | 28 | Audio |
4. | Blood Brothers | 7:14 | 94.3 | 25 | Audio |
5. | The Mercenary | 4:43 | 88.2 | 23 | |
6. | Dream of Mirrors | 9:21 | 92.5 | 24 | Audio |
7. | The Fallen Angel | 4:01 | 85.8 | 24 | |
8. | The Nomad | 9:06 | 90.7 | 25 | Audio |
9. | Out of the Silent Planet | 6:25 | 89.3 | 26 | Audio |
10. | The Thin Line Between Love and Hate | 8:27 | 88.9 | 23 |
Line-up (members)
- Bruce Dickinson : Vocals
- Dave Murray : Guitars
- Adrian Smith : Guitars
- Janick Gers : Guitars
- Steve Harris : Bass, Keyboards
- Nicko McBrain : Drums
10,513 reviews
cover art | Artist | Album review | Reviewer | Rating | Date | Likes | |
---|---|---|---|---|---|---|---|
Dead As Dreams Review (2000) | 95 | 54 minutes ago | 0 | ||||
Unknown Soldier Review (2000) | 70 | 56 minutes ago | 0 | ||||
ØØ Void Review (2000) | 40 | 2 hours ago | 0 | ||||
Dawn of Victory Review (2000) | 85 | 7 hours ago | 0 | ||||
The Perfect Element I Review (2000) | 95 | 7 hours ago | 0 | ||||
85 | 22 hours ago | 0 | |||||
85 | 23 hours ago | 2 | |||||
Celestial Review (2000) | 60 | 1 day ago | 0 | ||||
▶ Brave New World Review (2000) | 85 | 1 day ago | 0 | ||||
90 | 1 day ago | 0 | |||||
Dopethrone Review (2000) | 55 | 1 day ago | 0 | ||||
Ascension Review (2025) | 95 | 1 day ago | 0 | ||||
45 | 1 day ago | 0 | |||||
90 | 2 days ago | 0 | |||||
White Pony Review (2000) | 70 | 2 days ago | 0 | ||||
Blast From the Past Review (2000) [Compilation] | 90 | 3 days ago | 1 | ||||
Urkraft Review (2000) | 80 | 3 days ago | 0 | ||||
75 | 3 days ago | 0 | |||||
95 | 4 days ago | 0 | |||||
Stronger Than Death Review (2000) | 60 | 5 days ago | 0 |
Senjutsu Review (2021)
doguri11 85/100
Sep 4, 2021 Likes : 18
발매전부터 평론가들이 평균 4.7 이나 되는 점수를 주었는데
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후기 아이언메이든 스타일 중에서 장엄하고 묵직한 미들템포
악곡 스타일을 참 좋아하는데 이 앨범은 그걸
극대화 한 느낌이다 개인적으로 나는 메탈 밴드들이
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아이언 메이든식 프로그레시브 메탈.
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주난 70/100
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메이든은 전성기의 힘과 속도를 잃은 지 오래다. 돌이킬 수 없는 사실이다.
이 돌이킬 수 없는 사실을 얼마나 감안하느냐에 따라 『Senjutsu』(2021)에 대한 평가가 갈린다.
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